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Born Nellie Walker, Nella Larsen was born on April 13, 1891 in
Chicago (Jarrett). She was biracial; her mother, Mary Hansen, was white Danish
while her father, Peter Walker, was a black West Indian (Jarrett, Loeffelholz).
After her father left, Nella’s mother married a white Danish man, Peter Larsen.
They eventually had children together, and this made Nella the only “colored”
girl in the home. Her family saw her as an embarrassment because she was the
only “colored” girl in the family; she did not fit in. Her step dad found her
presence strange (Loeffelholz). Nella and her siblings attended a private
school in a white area, but Nella never quite fit in because she was of mixed race,
neither black nor white. Her family faced a lot of hatred and bitterness from
others around them because of racism. Nella and her family didn’t stay long in
this community, and moved back to a “mixed” vice district where Nella was
originally from, and the girls went to a public school there. While growing up,
Nella was perplexed by the dress restrictions on women (Jarrett). This issue is
reflected in her story “Quicksand.” As an adult, she moved to Denmark, but
eventually returned to the United States and attended nursing school.
Eventually, Nella became head nurse at Tuskegee Institute hospital in Alabama,
but didn’t like the things the school leaders stood for. She left, and met and
married Dr. Elmer S. Imes.
Nella Larsen lived through the
Harlem Renaissance and made significant contributions to literature with her
stories that carried the ideas of the Harlem Renaissance. I have read her story
“Quicksand,” and found it very captivating. Another literary contribution is "Passing," which discussed the life of a mixed lady who passed (hence the name) as a white woman due to her family. Through her stories, Larsen wanted
to capture the heartache and struggle that many biracial and African American people felt in her
time period. As stated by T. S.
Stribling (another writer during the Harlem Renaissance) and agreed by Nella
Larsen, Stribling quoted, “Here is an audience waiting to hear the truth about
us. Let us, who are better qualified to present that truth than any white
writer, try to do so (Wall).” Her fiction “Quicksand” really offers insight
into the lives of middle class African American women in western society at the
time. They face a struggle to define themselves. They never truly fit in, being
neither fully black nor fully white (Wall).
Works Cited
Jarrett, Gene A. African
American Literature beyond Race. New York: New York University Press, n.d.
Print.
Loeffelholz, . The
Norton Anthology of American Literature. 7thth ed. New York: Norton &
Company, 2007. Print.
Wall, Cheryl A. Women
of the Harlem Renaissance. Bloomington: Indiana University Press, 1995.
Print.
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